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Writer's pictureBenny Kuriakose

Comparison of Kerala Mosques and Maldivian Coral Stone Mosques

The islands of the Maldives in the Indian Ocean are known for their exquisite scenery and rich cultural heritage. With the coral stone mosques of Maldives and other historic buildings built out of coral stones, traditional Maldivian architecture is unique. The islands were a transit point for the sea traders coming to India and the East. Due to the influx of traders from different parts of the world, a blending of different cultures occured in the Maldives. This might be getting reflected in the architectural elements, building styles, and construction techniques of Maldives.


Table of Contents:



1. Introduction to Traditional Maldivian Architecture


Construction in any region in the old days was mainly dependent on the availability of local materials. Maldives with its numerous islands surrounded by beautiful coral reefs led to a unique kind of architectural style, different from that prevalent in many of the countries which would have influenced its architecture. The mosques of Maldives were built with coral stone walls and timber roofs.


2. Comparative Analysis of Architectural Elements of the Coral Stone Mosques in Maldives with the Architectural Styles of Kerala


This article concentrates on enumerating the similarities and differences between the architectural styles of Kerala, mainly focusing on the religious buildings of Kerala, and the six focal Maldives mosques, which have been nominated under the UNESCO World Heritage Tentative List.


The analysis has focused on understanding the similarities and distinctive features in the architectural styles of the two areas by comparing the architectural elements, building techniques, and materials of the various buildings in Kerala and Maldives.


2.1 Plinth


The following images illustrate the similarities observed in the plinth of the religious buildings of Kerala (Photo1) and the mosques of Maldives. It also focuses on the details that can be observed in the foundation and plinth of the mosques of Maldives (Photo(s) 2, 3, 4, 5). It can be observed that the plinths made out of coral stone in some of the mosques had carvings, which are not seen in the mosques in Kerala.


Photo 1.Verendah surrounding the Chaleli Mosque in Kerala
Photo 1.Verandah surrounding the Chaleli Mosque in Kerala
Photo2. Plinth in Ishdoo Mosque in Maldives
Photo 2. Plinth in Ishdoo Mosque in Maldives
Photo3. Plinth in Ihavandhoo Mosque in Maldives
Photo 3. Plinth in Ihavandhoo Mosque in Maldives
Photo4.Carving on the plinth in Ihavandhoo Mosque
Photo 4.Carving on the plinth in Ihavandhoo Mosque
 Carving in the Plinth in Fenfushi Mosque
Photo 5. Carving in the Plinth in Fenfushi Mosque

2.2 Elevation


This component of the analysis draws a comparison between the architectural styles in the mosques of Kerala (Photo(s) 6, 7, 8, 9) and the mosques in Maldives (Photo(s)10, 11, 12)in terms of elevation.


Photo 6. Kuttichira Valia Palli
Photo 6. Kuttichira Valia Palli
Photo7. Chaleli Mosque
Photo 7. Chaleli Mosque
Photo 8. Odathil Palli in Thalassery
Photo 8. Odathil Palli in Thalassery
Photo 9. Thazhathangadi Mosque in Kottayam
Photo 9. Thazhathangadi Mosque in Kottayam

The mosque in Kerala were more elaborate in terms of the roof structure with more than two tiers in some cases, for example Kuttichira Mosque. The roofs of Maldivian mosques were also composed of different levels but were less elaborate and prominent. Verandahs surrounded the main inner core in some of the mosques in Kerala (see Photo 7), whereas this seems to be a prominent feature in the coral mosques, for example, Friday Mosque.


Photo 10.  Friday Mosque
Photo 10. Friday Mosque
Photo11. Meedhoo Mosque
Photo11. Meedhoo Mosque
Photo 12. Ishdhoo Mosque
Photo 12. Ishdhoo Mosque

2.3 Walls


This section of the analysis depicts the coral stone walls of the Maldives mosques. The coral stones are the primary building materials in Maldives since they are considered to be a long-lasting material. The history of construction using coral stones has existed for a long period of time and continues to exist in Maldives even today. This adds to the authenticity and integrity of coral as a building material.


Photo 13.  Meedhoo Mosque
Photo 13. Meedhoo Mosque
Photo 15. Coral Stone walls in Medhoo Mosque
Photo 15. Coral Stone walls in Medhoo Mosque
Photo 16. Interlocking coral blocks in Meedhoo mosque
Photo 16. Interlocking coral blocks in Meedhoo Mosque

2.4 Doors


This section represents the difference that can be observed in the appearance and ornate workmanship of the doors in the mosques in Kerala (Photos 17, 18, 19) with comparison to the doors in the mosques of Maldives (Photos 20, 21, 22, 23, 24). Although door frames are similar, the shutters are quite different.


Photo 17. Timber Door entrance in Ponnani Palli
Photo 17. Timber Door entrance in Ponnani Palli
Photo 18. Intricate Stone details in Ponnani Palli
Photo 18. Intricate Stone details in Ponnani Palli
Photo19. Entrance to Kutchi Memorial Mosque in Alleppey
Photo19. Entrance to Kutchi Memorial Mosque in Alleppey
Photo 20. Timber entrance door of Meedhoo Mosque
Photo 20. Timber entrance door of Meedhoo Mosque
Photo21. Exquisitely Carved entrance in Ishdoo Mosque
Photo 21. Exquisitely carved entrance in Ishdoo Mosque
Photo 22.  Entrance to Fenfushi Mosque
Photo 22. Entrance to Fenfushi Mosque
Photo 23. Ornate details in the entrance of Fenfushi Mosque
Photo 23. Ornate details in the entrance of Fenfushi Mosque
Photo 24. Elaborately carved door of Friday Mosque
Photo 24. Elaborately carved door of Friday Mosque

2.5 Columns


Although timber columns are seen in Kerala mosques (Photos 25, 26, 27 & 28), the shapes and proportions are very different from that of the Maldivian mosques. The level of ornateness and detailing that can be seen on the columns in Maldives are higher (Photos 29,30, 31, 32, 33 & 34).

Photo 25. Timber columns in Cheraman Masjid
Photo 25. Timber columns in Cheraman Masjid
Photo 26. Symmetrical columns in Kuttichira Cheria Palli
Photo 26. Symmetrical columns in Kuttichira Cheria Palli
Photo 27.  Masonry Columns in Ponnani Mankutam Palli
Photo 27. Masonry Columns in Ponnani Mankutam Palli
Photo 28. Columns in Thanur Palli
Photo 28. Columns in Thanur Palli

While masonry columns are common in many mosques in Kerala (Photo 27), mosques in Maldives are supported by coral stone columns and capitals(Photos 31, 32, 33 & 34).


Photo 29. Columns in Fenfushi Mosque
Photo 29. Columns in Fenfushi Mosque
Photo 30. Column Capital in Fenfushi Mosque
Photo 30. Column Capital in Fenfushi Mosque
Photo 31. Intricately Carved capital in Eid Mosque
Photo 31. Intricately carved capital in Eid Mosque
Photo 32. Ornate capital in Friday Mosque
Photo 32. Ornate capital in Friday Mosque
Photo 33. Columns at the entrance of Friday Mosque
Photo 33. Columns at the entrance of Friday Mosque
►Photo 34. Elaborate carving on capital in Friday Mosque
Photo 34. Elaborate carving on capital in Friday Mosque

The design of the timber columns is very different in both places. The similarities in the design of the capital of the timber columns inside the Medhoo mosque (Photos 39, 40) and columns in roof ears of the Kerala mosques can be seen in the images (Photos 35, 36, 37 & 38).


Photo 35. Roof ear in a temple
Photo 35. Roof ear in a temple
Photo 36.  Detail of the roof ear of the temple.
Photo 36. Detail of the roof ear of the temple.
Photo 37. Roof ear in Thazhathangadi mosque
Photo 37. Roof ear in Thazhathangadi mosque
Photo 38. Detail of the roof ear in Thazhathangadi Mosque
Photo 38. Detail of the roof ear in Thazhathangadi Mosque
Photo 39. Columns in Meedhoo Mosque
Photo 39. Columns in Meedhoo Mosque
Photo 40. Column Capital in Meedhoo Mosque
Photo 40. Column Capital in Meedhoo Mosque

2.6 Window


Although initially, the small widows (Photos 42, 43, 44 & 45) of the Maldivian mosques look similar to those of the mosques in Kerala (Photo 41), they are in fact quite different. On the outside, latticework can be seen in Isdhoo mosque, but this is absent in the Kerala mosques. In Fenfushi mosque, you can see timber arched openings which are very similar to the doors in Maldivian mosques (Photos 48 & 49).


Photo 41. Jalli Work in Ponnani Palli
Photo 41. Jalli Work in Ponnani Palli
Photo 42. Timber Jalli work in Friday Mosque
Photo 42. Timber Jalli work in Friday Mosque
Photo 43. Timber Jalli work in Eid Mosque
Photo 43. Timber Jalli work in Eid Mosque
Photo 44.  Timber window in Meedhoo Mosque
Photo 44. Timber window in Meedhoo Mosque
Photo 45. Window in Ishdoo Mosque
Photo 45. Window in Ishdoo Mosque
Photo 46. Lattice work screen in Ishdoo Mosque
Photo 46. Lattice work screen in Ishdoo Mosque
Photo 47.  Lattice screen work in Ishdoo Mosque
Photo 47. Lattice screen work in Ishdoo Mosque
Photo 48. Carved window in Fenfushi Mosque
Photo 48. Carved window in Fenfushi Mosque
Photo 49. Ornate windows of Fenfushi Mosque
Photo 49. Ornate windows of Fenfushi Mosque

2.7 Interior Details


In both areas of study, the elements in the mosque such as the Mihrab, which is the main praying area, appear to be similar in form. It is also analogous to each other in the subtle yet elegant designs and details that can be seen on the Mihrab (Photos 50 to 54).


Photo 50.  Mihrab in Chaleli Mosque
Photo 50. Mihrab in Chaleli Mosque
Photo 51.  Elegantly Mihrab in Cheraman Masjid, Kerala
Photo 51. Elegantly Mihrab in Cheraman Masjid, Kerala
Photo 52. Mihrab in Meedhoo Mosque
Photo 52. Mihrab in Meedhoo Mosque
Photo 53. Ornate timber mihrab in Fenfushi Mosque
Photo 53. Ornate timber mihrab in Fenfushi Mosque
Photo 54. Mihrab in Friday Mosque
Photo 54. Mihrab in Friday Mosque

2.8 Minbar


The Minbar in the mosques of Kerala (Photos 55, 56) and the mosques of Maldives (Photos 57, 58, 59, 60) are similar in terms of their form. In Cheraman Masjid, a minbar carved out of timber has been lacquered (Photo 55). In Munambam mosque, the minbar is made out of masonry. In Maldivian mosques, one can see minbars made out of timber and masonry.


Photo 55. Lacquered Minbar in Cheraman Masjid, Kerala
Photo 55. Lacquered Minbar in Cheraman Masjid, Kerala
Photo 56. Masonry Minbar in Munambam Mosque
Photo 56. Masonry Minbar in Munambam Mosque
Photo 57. Minbar in the Meedhoo Mosque
Photo 57. Minbar in the Meedhoo Mosque
Photo 57. Minbar in the Meedhoo Mosque
Photo 58. Minbar in the Meedhoo Mosque
Photo 59. Coral stone Minbar in Eid Mosque
Photo 59. Coral stone Minbar in Eid Mosque
Photo 60. Coral stone Minbar in Isdhoo Mosque CEILING
Photo 60. Coral stone Minbar in Isdhoo Mosque Ceiling

2.9 Ceiling


There are lot of similarities and differences in the way the timber is used and decorated in Kerala and Maldives. Even within Kerala, there are a lot of different ways of making the timber ceiling (Photos 61, 62, 63, 64, 65, 66 & 67). In some of the mosques, they are very simple, while in the others, there are carved panels (Photos 66 & 67).


Photo 61. Detailing of the timber beams in Chaleli Mosque
Photo 61. Detailing of the timber beams in Chaleli Mosque
Photo 62. Timber Ceiling of Valapattinam Mosque
Photo 62. Timber Ceiling of Valapattinam Mosque
Photo 63. Timber Ceiling in Chaleli Mosque
Photo 63. Timber Ceiling in Chaleli Mosque
Photo 64. Typical timber ceiling in Kerala buildings
Photo 64. Typical timber ceiling in Kerala buildings
Photo 65. Timber ceiling in Ponnani Mosque
Photo 65. Timber ceiling in Ponnani Mosque
Photo 66. Ornate ceiling work in Kuttichira Cheria Mosque
Photo 66. Ornate ceiling work in Kuttichira Cheria Mosque
Photo 67. Timber carvings on the ceiling in Ponnani Mosque
Photo 67. Timber carvings on the ceiling in Ponnani Mosque
Photo 68. Timber ceiling in Friday Mosque
Photo 68. Timber ceiling in Friday Mosque
Photo 69. Timber ceiling in Eid Mosque
Photo 69. Timber ceiling in Eid Mosque
Photo 70. Timber ceiling in Eid Mosque
Photo 70. Timber ceiling in Eid Mosque

The difference between Kerala and Maldives can be seen in the lacquered ceiling. When compared to the buildings of Kerala, the lacquered ceiling is widely used as a decorative feature in the mosques of Maldives (Photo 72). In Kerala, they are seen in some buildings such as the Padmanabhapuram Palace (Photo 71).


Photo 71. Lacquered ceiling in Padmanabham Palace, Kerala
Photo 71. Lacquered ceiling in Padmanabham Palace, Kerala
Photo 71. Lacquered ceiling in Padmanabham Palace, Kerala
Photo 72. Lacquered ceiling in Padmanabham Palace, Kerala

One of the other prominent features which you can find in the Maldivian mosques is that the central portion of the main prayer hall has a raised coffered ceiling (photos 76-85). Most of them are very decorative lacquered ceilings. Such a feature is not common in the case of mosques in Kerala (Photo 76) but can be seen in many temples (Photos 73, 74& 75).


Photo 73. Raised timber ceiling of a temple
Photo 73. Raised timber ceiling of a temple
Photo 74. Raised timber ceiling of a temple
Photo 74. Raised timber ceiling of a temple
Photo 75. Raised timber ceiling of a temple
Photo 75. Raised timber ceiling of a temple
Photo 76. Raised ceiling level in Thazhathangadi Mosque
Photo 76. Raised ceiling level in Thazhathangadi Mosque
Photo 77. Raised ceiling in Fenfushi Mosque
Photo 77. Raised ceiling in Fenfushi Mosque
Photo 78. Raised ceiling in Eid Mosque
Photo 78. Raised ceiling in Eid Mosque
Photo 79. Raised ceiling in Eid
Photo 79. Raised ceiling in Eid
Photo 80. Raised ceiling in Friday Mosque
Photo 80. Raised ceiling in Friday Mosque
Photo 81. Detail of raised ceiling in Meedhoo Mosque
Photo 81. Detail of raised ceiling in Meedhoo Mosque
Photo 82. Details of raised ceiling in Ihavandhoo Mosque
Photo 82. Details of raised ceiling in Ihavandhoo Mosque
Photo 83. Lacqured Ceiling work in FenFushi Mosque
Photo 83. Lacquered ceiling work in FenFushi Mosque
Photo 84. Embellished ceiling of Fenfushi Mosque
Photo 84. Embellished ceiling of Fenfushi Mosque
Photo 85. Ornamented ceiling of Friday Mosque
Photo 85. Ornamental ceiling of Friday Mosque

2.10 Timber Joinery & Roof Coverings


There are some similarities in the way the timber roofs are made (Photos 86 & 87). But due to the fact that the clay tile roofs of most of the mosques in the Maldives have been changed to metal coverings (Photos 90 & 91), the comparison becomes difficult. In Meedhoo mosque, the Mangalore tiles have been imported from Quilon, Kerala (Photos 88 & 89). The first Mangalore tile factory was established in Kerala in 1865 only, which shows that the import of tiles has happened much later.


Photo 86. Timber roof of Cheraman Masjid
Photo 86. Timber roof of Cheraman Masjid
Photo 87. King Truss detail in Friday Mosque
Photo 87. King Post Truss detail in Friday Mosque
Photo 88. Usage of Mangalore tiles in Meedhoo Mosque
Photo 88. Usage of Mangalore tiles in Meedhoo Mosque
Photo 89. Mangalore tiles imported from Quilon, Kerala
Photo 89. Mangalore tiles imported from Quilon, Kerala

The distinct factor that can be analysed for both the areas is the roofing material; while Kerala has retained the architectural tradition of using Mangalore tiles as the integral roofing material, certain mosques in Maldives have digressed from their traditional roofing patterns and have deviated to using modern materials such as asbestos sheets and further to metal sheets as the main roofing material. This deviation could have affected the integrity of some of the mosques.


Photo 90. The usage of metal sheets in Ishdoo Mosque
Photo 90. The usage of metal sheets in Ishdoo Mosque
Photo 91.  Metal sheets in Ishdoo Mosque
Photo 91. Metal sheets in Ishdoo Mosque

In most of the Kerala roofs, the rafters of the timber truss rest on the wall plates; and the gap between the timber beams of the ceiling and the wall plates is very less. But in Maldives, the roof does not sit directly over the wall, there are gaps between the wall plate and the timber beams used for the ceiling (Photos 94, 95 & 96). In the interiors also, the timber columns are terminated short of the ceiling timber beams, which are supported using short columns (Photo 97).


Photos 92 & 93. Gap between the wall plate and beams in Chaleli Mosque is filled with masonry.
Photo 92. Gap between the wall plate and beams in Chaleli Mosque is filled with masonry.
Photos 92 & 93. Gap between the wall plate and beams in Chaleli Mosque is filled with masonry.
Photo 93. Gap between the wall plate and beams in Chaleli Mosque is filled with masonry.
Photo 94.  Gap is filled with timber panels in Ishdoo Mosque
Photo 94. Gap is filled with timber panels in Ishdoo Mosque
Photo 94.  Gap is filled with timber panels in Ishdoo Mosque
Photo 95. Gap is filled with timber panels in Ishdoo Mosque
Photo 96. Timber panels - Meedhoo Mosque
Photo 96. Timber panels - Meedhoo Mosque
Photo 97. Gap between the beams in the ceiling Ihavandhoo mosque
Photo 97. Gap between the beams in the ceiling Ihavandhoo mosque

The original eaves boards of the Maldivian mosques would have been made in timber (Photo 98). One can see that for a small portion, the metal sheet eaves board is fixed on top of the timber eaves board. Later on, the metal sheet eaves board would have become common in Maldives (Photos 99 & 100).


Photo 97. Gap between the beams in the ceiling Ihavandhoo mosque
Photo 98. Gap between the beams in the ceiling Ihavandhoo mosque
Photo 99. Metal sheet eave board in Meedhoo Mosque
Photo 99. Metal sheet eave board in Meedhoo Mosque
Photo 100. Tier system of roof in the Meedhoo Mosque with eave board
Photo 100. Tier system of roof in the Meedhoo Mosque with eave board

2.11 Ablution Tanks


The purpose of the tanks in mosques is mainly for absolution, which is an important practice that is followed in the Islamic culture. The only clear difference that can be observed between the two case studies is that the practice of absolution is manifested through different platforms. The presence of tanks in the premises of the mosques is more common in Kerala (Photos 101, 102, 103 & 104), but in Maldives, the tank was found only in Fenfushi mosque (Photos 105 & 106). Coral stones were used for the construction of the sides of the tank (Photos 107 & 108). Otherwise, open wells, with the sides built using coral stones, were used for ablution (Photos 109 & 110).


Photo 101.  The ablution tank in Chalelil Mosque
Photo 101. The ablution tank in Chalelil Mosque
Photo 102. The ablution tank in Cheraman Masjid
Photo 102. The ablution tank in Cheraman Masjid
Photo 103. The ablution tank in Ponnani Mosque
Photo 103. The ablution tank in Ponnani Mosque
Photo 104. The ablution tank in Thazhathangadi Mosque
Photo 104. The ablution tank in Thazhathangadi Mosque
Photo 105. The ablution tank in Fenfushi mosque
Photo 105. The ablution tank in Fenfushi mosque
Photo 106. The ablution tank in Fenfushi mosque
Photo106. The ablution tank in Fenfushi mosque
Photo 107 & 108. Coral stone building material in construction of the tank walls in Fenfushi Mosque
Photo 107. Coral stone building material in construction of the tank walls in Fenfushi Mosque
Photo 107 & 108. Coral stone building material in construction of the tank walls in Fenfushi Mosque
Photo 108. Coral stone building material in construction of the tank walls in Fenfushi Mosque
Photo 109 & 110. The ablution well in Ihavandhoo Mosque
Photo 109. The ablution well in Ihavandhoo Mosque
Photo 109 & 110. The ablution well in Ihavandhoo Mosque
Photo 110. The ablution well in Ihavandhoo Mosque

2.12 Carvings and Mouldings


When one compares mosques in Kerala and Maldives, there are numerous similarities and differences between the carvings & mouldings. The elaborate embellishments that are engraved, exhibit high-quality craftsmanship in both areas. The carvings in the mosques of Kerala (Photos 111 to 116) are unique to the area and represent an indigenous continuation of traditional craftsmanship. The carvings and mouldings in Maldives are potentially unique to the region (Photos 117 to 124) and add to the outstanding universal value of the mosques.


Photo 111 & 112. Carvings and mouldings in Alleppey Kutchi Memon Mosque
Photo 111. Carvings and mouldings in Alleppey Kutchi Memon Mosque
Photo 111 & 112. Carvings and mouldings in Alleppey Kutchi Memon Mosque
Photo 112. Carvings and mouldings in Alleppey Kutchi Memon Mosque
Photo 113. Carving on timber frames in Chaleli Mosque
Photo 113. Carving on timber frames in Chaleli Mosque
Photo 114. Floral carvings in door frames in Chaleli Mosque
Photo 114. Floral carvings in door frames in Chaleli Mosque
Photo 115. Plaster work in Kuttichira Cheria Mosque
Photo 115. Plaster work in Kuttichira Cheria Mosque
Photo 116. Ornate detailing in Ponnani Mosque
Photo 116. Ornate detailing in Ponnani Mosque
Photo 117. carving in the offering stone in Eid Mosque
Photo 117. Carving in the offering stone in Eid Mosque
Photo 118.  Ornate work in Eid Mosque
Photo 118. Ornate work in Eid Mosquehoto
Photo 119. Carving on coral stone in Ihavandhoo Mosque
Photo 119. Carving on coral stone in Ihavandhoo Mosque
Photo 120. Detailing on the wall in Ihavandhoo Mosque
Photo 120. Detailing on the wall in Ihavandhoo Mosque
Photo 121. Carving in Fenfushi Mosque
Photo 121. Carving in Fenfushi Mosque
Photo 122. Intricate detailing in Fenfushi Mosque
Photo 122. Intricate detailing in Fenfushi Mosque
Photo 123. Timber carving in Ishdoo Mosque
Photo 123. Timber carving in Ishdoo Mosque
Photo 124. Wooden lattice work in Ishdoo Mosque
Photo 124. Wooden lattice work in Ishdoo Mosque

The carvings of the pineapple, which can be seen in Kerala mosques (Photos 125 & 126), are seen in a different context in the case of Maldivian mosques (Photos 127 & 128).


Photo 125. Intricate detailing in Ponnani Mosque
Photo 125. Intricate detailing in Ponnani Mosque
Photo 126. Carving in Chalelil Mosque
Photo 126. Carving in Chalelil Mosque
Photo 127. Carving on Timber in Eid Mosque
Photo 127. Carving on Timber in Eid Mosque
Photo 128. Tree of life carving in Friday Mosque
Photo 128. Tree of life carving in Friday Mosque

The carvings seen in Maldivian mosques are quite different from those in Kerala, although certain similarities can be drawn (Photos 129 to 134). There are a lot of differences between the mouldings around the door frames also.


Photo 129. Ornate detailing in Friday Mosque
Photo 129. Ornate detailing in Friday Mosque
Photo 130. Carving in the door of Friday Mosque
Photo 130. Carving in the door of Friday Mosque
Photo 131. Lattice screen work in Fenfushi Mosque
Photo 131. Lattice screen work in Fenfushi Mosque
Photo 132. Detailing in the door frame on Eid Mosque
Photo 132. Detailing in the door frame on Eid Mosque
Photo 133. Ornate work in Eid Mosque
Photo 133. Ornate work in Eid Mosque
Photo 134. Intricate work in Eid Mosque
Photo 134. Intricate work in Eid Mosque

2.13 Calligraphy in Islamic Architecture


In both the areas that are being studied, it can be observed that the platforms on which calligraphy is depicted are different. The below images are from the mosques in Kerala show that the calligraphy is engraved on timber or plaster (Photos 135, 136, 137), while the calligraphy in Maldives is finished with lacquered paint applied on timber alone. It is found that extensive use of calligraphy was predominant in the Maldivian mosques when compared with the Kerala mosques.


Photo 135. Calligraphy in door frame of Azhikode Mosque
Photo 135. Calligraphy in door frame of Azhikode Mosque
Photo 136. Calligraphy engraved in Plaster in Kuttchira                                                                                                             Cheria Mosque
Photo 136. Calligraphy engraved in Plaster in Kuttchira Cheriya Mosque
Photo 137. Calligraphy in door panel in Ponnani Mosque
Photo 137. Calligraphy in door panel in Ponnani Mosque
Photo 138. Calligraphy at Fenfushi Mosque
Photo 138. Calligraphy at Fenfushi Mosque
Photo 139. Calligraphy in the beams at Ishdoo Mosque
Photo 139. Calligraphy in the beams at Ishdoo Mosque
Photo 140. Calligraphy at Ihavandhoo Mosque
Photo 140. Calligraphy at Ihavandhoo Mosque

2.14 Lacquer Work in Maldives And Kerala


In terms of the lacquer paintwork, the religious buildings of Kerala are similar to the mosques of Maldives by their colour, the use of red and black colours was prevalent in both regions. In Kerala (Photos 141, 142 & 143), the use of lacquer paint in timber work is much less in scale compared with the Maldivian mosques. The lacquer work is one of the unique elements of the traditional Maldivian architecture (Photos 144, 145, 146 & 147) that can be found predominately in Maldives. This along with the unique construction using coral as a building material add to the Universal Outstanding Value of the mosques.


Photo 141. Lacquered Minbar in Cheraman Masjid
Photo 141. Lacquered Minbar in Cheraman Masjid
Photo 142. Lacquered work in Padmanabhapuram palace
Photo 142. Lacquered work in Padmanabhapuram palace
Photo 143. Lacquered work in the Paravur Synagogue
Photo 143. Lacquered work in the Paravur Synagogue
Photo 144. Lacquered work in Ihavandhoo Mosque
Photo 144. Lacquered work in Ihavandhoo Mosque
Photo 145. Lacquered beams in Ihavandhoo Mosque
Photo 145. Lacquered beams in Ihavandhoo Mosque
Photo 146.  Lacquered work in Ishdoo Mosque
Photo 146. Lacquered work in Ishdoo Mosque
Photo 147. Ceiling work in the Ishdoo Mosque
Photo 147. Ceiling work in the Ishdoo Mosque

2.15 Timber


The different species of timbers used in the construction of the mosques were not able to identify. Coconut palm was used in many places (Photos 148 & 149). Teak was also used in many places including beams and panels.


Photo 148. Coconut Timber in Meedhoo Mosque
Photo 148. Coconut Timber in Meedhoo Mosque
Photo 149. Usage of Coconut Timber in Friday Mosque
Photo 149. Usage of Coconut Timber in Friday Mosque

It is found that the teak sizes used for beams, planks, etc. in Maldivian mosques were sourced from smaller diameter logs. One can hardly find wider planks without knots being used in the mosques. When the timber was imported from outside Maldives, the restrictions on transportation of large logs would have been the reason for this.


Photo 150. Teak used in Ishdoo Mosque
Photo 150. Teak used in Ishdoo Mosque
Photo 151. Teak in Ihavandhoo Mosque
Photo 151. Teak in Ihavandhoo Mosque

2.16 Entrance


In terms of the other architectural features in both the areas of study, certain elements such as the entrance of the mosques in Maldives (Photos 153 to 157) can be looked at.


Photo 152. Enrance of Meedhoo Mosque
Photo 152. Enrance of Meedhoo Mosque
Photo 153. Timber seat at entrance of Fenfushi Mosque
Photo 153. Timber seat at entrance of Fenfushi Mosque
Photo 154. Timber seat at entrance of Eid Mosque
Photo 154. Timber seat at entrance of Eid Mosque
Photo 155. Timber seat at entrance of Friday Mosque
Photo 155. Timber seat at entrance of Friday Mosque
Photo 156 Timber seat at entrance of Meedhoo Mosque
Photo 156. Timber seat at entrance of Meedhoo Mosque
Photo 157 Timber seat at entrance of Ihavandhoo Mosque
Photo 157 Timber seat at entrance of Ihavandhoo Mosque

3. Conclusion


One can see that there are a lot of similarities between the mosques in Kerala and Maldives. But at the same time, there are a lot of differences that makes the coral stone mosque’s architecture very special when compared to the mosques in other parts of the Indian Ocean. The coral-stone carpentry is very unique and the masonry is perfectly done, which shows that the skills and the tools have been developed over the years to create this perfection and finish.


There might have been an exchange between the two areas in the earlier years, but the mosques in Maldives evolved with its own identity. Kannur Rajahs have attacked and conquered the northern parts of Maldives in the early 19th century, but the architectural elements of the coral mosques are very different from the north Kerala mosques. Although these mosques may represent a fusion of Indian Ocean culture, they are unique and can qualify for the Outstanding Universal Value.


This article is based on the report “Coral Stone Mosques of Maldives – Defining Its Outstanding Universal Value”, written by Dr. Benny Kuriakose in 2017. The Government of Maldives conducted a workshop from 8th-13th January 2017 where they invited international experts such as Ms. Moe Chiba, Mr. Munish Pandit, Dr. Staphane Pradine, Dr. Benny Kuriakose and Dr. George Okello Abungu to discuss on coral stone construction, social-cultural traditions around coral stone mosques and Islamic calligraphy, history of lacquer crafts in Maldives along with a briefing on the initial ICOMOS upstream mission, and its recommendation for the criteria of Outstanding Universal Value, UNESCO. The team of experts traveled to the 6 selected mosques in the tentative list in order to observe and imbibe the traditional Maldivian architecture. The purpose of the workshop was mainly to gather experts to identify the unique features of coral stone mosques of Maldives from the existing coral stone structures and architectural traditions in the Indian Ocean to assist the Maldives Department of Heritage to move forward in the World Heritage nomination. The report provides an in-depth understanding of how the mosque would be a unique factor in the architectural heritage of the Indian Ocean region and justifies the choice of the six mosques in the UNESCO World Heritage Tentative List along with analysing the authenticity and integrity of these structures.

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